Download PDF by : A Companion to Pedro Almodóvar (Wiley-Blackwell Companions

ISBN-10: 1405195827

ISBN-13: 9781405195829

Edited through prime professionals at the topic, and bringing jointly a stellar solid of members, this specified appraisal of Pedro Almodóvar’s detailed cinematic artwork examines the topics, type, and aesthetics of his oeuvre and locates it within the context of the profound cultural variations in Spain because the 1970s.
• Brings jointly a stellar forged of members from around the globe together with well-known and tested experts in addition to gifted more youthful scholars
• positive aspects contributions through Spanish movie historians, the place reviews of Almodóvar’s paintings were underrepresented within the educational literature
• Deploys new ways to the research of movie authorship through exploring contextual matters corresponding to Almodóvar’s transnational charm and the political dimensions of his works
• lines the director’s fruitful collaborations within the parts of artwork and layout, style and tune

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Extra info for A Companion to Pedro Almodóvar (Wiley-Blackwell Companions to Film Directors)

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1977). Language, Counter-Memory, Practice. Edited with an Introduction by Donald F. Bouchard. Ithaca, NY: Cornell University Press. Introduction 17 Galt, R. and Schoonover, K. ) (2010). Global Art Cinema: New Theories and Histories. Oxford: Oxford University Press. Gerstner, D. (2003) The Practices of Authorship. In: Gerstner, D. and Staiger, J. ) Authorship and Film. New York and London: Routledge, pp. 3–25. Harguindey, A. (2011). ” El País Semanal (August 21): n. p. html (Accessed March 3, 2012).

Published 2013 by Blackwell Publishing Ltd. 22 Paul Julian Smith establishes his “passion” for cinema. /What Have I Done to Deserve This? (1984); the “maestro-influenced” period stretches furthest (from Matador [1986] to Tacones lejanos/High Heels [1991]); while the “autobiographical period” concludes the cycle with Todo sobre mi madre/All About My Mother (1999), La mala educación/Bad Education (2004), and Volver (2006) (Wikipedia 2010c). ” The three Wikipedias agree on some facts. For example, they all give Almodóvar’s date of birth as 1949, although the pressbook for Los abrazos rotos suggests with flattering vagueness that it falls within “the 1950s” (Almodóvar 2009b: n.

Cambridge: Polity, pp. 144–168. Staiger, J. (2003). ” In D. Gerstner and J. ), Authorship and Film. New York: Routledge, pp. 27–57. pART I Bio-Filmography 1 Almodóvar’s Self-Fashioning The Economics and Aesthetics of Deconstructive Autobiography Paul Julian Smith There seems little doubt that Almodóvar is now the most successful Spanish ­f ilmmaker of all time, whether that success is measured in terms of financial or symbolic capital. With no fewer than eighteen feature films, none of which has failed to turn a profit, and countless honors, including the Prince of Asturias Prize, the Légion d’Honneur, many Goyas and innumerable Césars, two Oscars, and an honorary doctorate at Harvard, his career is unparalleled over some thirty years.

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